The media used for this review is 6K ProRes 422 at 24 frames per second.

It just links to the media wherever it’s stored. Resolve handles media exactly the same way as it does on the desktop version of Resolve. We’ll select all of the clips in this folder using the select all button and import them. The media that we’re using, we’ve got about 300 gigabytes of it, is located on the iPad. That includes attached SSDs, cloud services like Dropbox and iCloud, or even network drives. Resolve can access any media that you can see in files. There’s no media page yet in DaVinci Resolve for iPad, but we’re sure it’s coming.Ĭurrently, to import media, we’ll use the media pool in the cut page.

Also, notice the Project Manager! Accessing Media Resolve for iPad currently includes the Cut & Color page. You’ll see it’s even possible to create additional local libraries, but we’re just going to work in the existing one and create a new project. We’ve got the same three tabs for connecting to local network or cloud databases. This will start to give you a sense of how fully featured the iPad app is. The only part of the desktop interface that is missing is the Menu Bar, usually visible at the top.Ĭurrently, Resolve on iPad only has the cut and color page. If you’re already used to using Resolve, then there’s next to no learning curve. You can use your finger or a pencil to navigate, it’s very intuitive. The first thing that you will notice is that it looks exactly like the desktop version of Resolve. Tested on 12.9-inch iPad Pro M2 by FEP trainer Leon Barnard Interfaceīy default, Resolve launches into the last project that you opened. Is this the full version of Resolve or is it limited? Is it good enough to do professional work with? How well does it run and what accessories do you need? If you’re interested in the answers of those questions, then please read on or watch the video below. The beta of DaVinci Resolve is now on the iPad, and we’ve been using it for a few weeks.

Ipad davinci resolve